Drawing inspiration from attachment theory and the shifting patterns of interpersonal dynamics, All(most) is a work-in-progress dance theatre production exploring how closeness, distance, and longing play out between bodies and sound. The original score—inspired by fragments of J. Brahms’ Cello Sonata—becomes both anchor and instigator, echoing the tensions between security and uncertainty, desire and anxiety.

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At once intimate and expansive, All(Most) invites audiences into a world where relationships are constantly forming, fracturing, and reforming—where nothing is fixed, but everything is felt. This work has been supported by Northeastern Center for the Arts, Prior Center for Performing Arts at Holy Cross (special thanks to Jimena Bermejo), the Movement Arts Creation Studio and the John S. and James L. Knight Foundation.

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