All(most) is a dance theatre production currently in development. Drawing inspiration from attachment theory and the shifting patterns of interpersonal dynamics, the work unravels how closeness, distance, and longing play out between bodies and sound. The original score—inspired by fragments of J. Brahms’ Cello Sonata—becomes both anchor and instigator, echoing the tensions between security and uncertainty, desire and anxiety.

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At once intimate and expansive, All(Most) invites audiences into a world where relationships are constantly forming, fracturing, and reforming—where nothing is fixed, but everything is felt. This work is supported by the Movement Arts Creation Studio and the John S. and James L. Knight Foundation.

 

Creative Team
Artistic Direction + Choreography: Ilya Vidrin
Rehearsal Direction: Dara Capley
Musicians: Eric Seligman and Mel Hsu
Dancers: Hannah Franz, Myles Kercher, Alexis Tsiramanes, and Cassie Wang